“All Stitched Up,” University of Puget Sound

Tacoma, WA:    September 3- December 11, 2019

All Stitched Up is asking for submissions of artists’ books from around the globe where stitching is a featured element. They may be visible stitches for the binding, text, or images, or any technique that leaves evidence of stitches. Artists’ books may be from an edition or unique, and created from any medium. There is a $10 submission fee for up to 3 works.

To stitch is to join together, to mend, or fasten as with stitches – to sew. To stitch is to bring together fabric, paper, wounds of the body, or cultural divides. Stitching can be an act of healing, hope, practicality, creativity, and revolution. All Stitched Up recognizes and celebrates the work of book artists’ where stitching has become an integral part of the visual design. Curators Catherine Alice Michaelis, Jane A. Carlin, and Diana Weymar will jury the show and a print catalogue will be created.

We are particularly (but not solely) interested in works that showcase collaboration and focus on building a sense of shared community. That may include collaboration between two or more artists, two or more communities, or crowd-sourced projects. Sewing that joins people and ideas link us to historical social and political sewing circles from the abolitionist movement of the 1800s, to the corporate resistant DIY movement kindled by the Riots Grrrls in the 1990s, to the knitting collectives of today that focus on the anti-war, pro-science, and pro-choice movements. In addition, you may draw inspiration from the embroidered books of the Victorian period, the rise of needlecrafts during the Arts & Crafts period, and family traditions of sewing by machine or hand stitching.

This exhibition will include pages from Diana Weymar’s Interwoven Stories project. This includes Refashioning Identity, which was created by members of the Puget Sound community in 2016/17 as facilitated by Weymar.

Deadline:  April 30, 2019

See Website for details.


Chicago, IL:    Exact dates TBD.  October 2019-January 2024

Description:Opposing forces shape our reality in ways which are both readily apparent as well as hidden. Artwork included in this exhibit will explore a contradiction or an affinity, Yin and Yang, the irresistible force versus the immovable object and other “opposites.” The subject(s) can be as simple or complex as the artist wishes to examine, but the focus of the piece will showcase the interplay of two contradictory components.

Artists are challenged to resolve opposing ideas or items as they illustrate with their art, in a figurative or abstract manner, a dichotomy of their choosing.

Deadline:  January 10, 2019

See Website for details.

“ITAB IV International TECHstyle Art Biennial,” San Jose Museum of Quilts and Textiles

San Jose, CA:    January 21- April 14, 2019

In 2010, the San Jose Museum of Quilts & Textiles launched its signature event, the International TECHstyle Art Biennial (ITAB). Returning now for its fourth incarnation, ITAB is a juried exhibition of work by artists merging fiber media with new information and communication technologies in their artistic processes, as a medium of artistic expression, and/or in the content of their work. Leveraging its location in Silicon Valley, ITAB serves as the premiere platform for introducing the work of artists exploring the intersection of fiber and technology to a global community.

Fibers, textiles, and the language of textile patterning have achieved wide attention in contemporary art practice often as a means of evoking an experience that is both historical and contemporary. ITAB seeks to expose and explore the tensions between and among works by artists using fiber media whose work employs diverse artistic disciplines: architecture, fashion, fiber art, installation art, interior design, new media, painting, sculpture, etc. Artwork demonstrating a keen understanding and mastery of the aesthetic, structural/technical, and semiotic possibilities of fiber and of digital, computerized, or networked information and communication technologies are the hallmark of the San Jose Museum of Quilts & Textiles’ International TECHstyle Art Biennial.

Deadline:  October 22, 2018

See Website for details.

“A Celebration of Color,” International Quilt Festival

Houston, TX:    If selected, the quilts will need to arrive in Houston no later than Friday, February 15, 2019. The participating works must be available to travel for two years, from April 2019 through December 2021.

This new judged competition and exhibit is open to quilters working in any style—traditional, modern, or art. Artists are invited to play with color and design to create a vibrant work that truly celebrates color!  The winning quilts will be announced during the 2019 International Quilt Festival in Chicago.

Deadline:  January 10, 2019

See Website for details.